Aleks

Sugrađanin iz Niša, radi dvoslojno, metalizaciju, stop lak, raspored, sve, i može i na komad. Uzeo sam samo kalaisano, sve 5 što se kaže kvaliteta i brzina uradnje KupujemProdajem WWW.KUPUJEMPRODAJEM.COM Praktično sve... Kupi i prodaj u najvećoj online zajednici u Srbiji. Probaj na kp! 2 komata pcba, jedan dvoslojan jedan jednoslojan total 1600 din. Sve u 3 dana rešeno.

The British rock band The Who installed twelve JBL 4350 studio monitors in the control room of their Rampart Studios in Twickenham, England. This massive setup was used for monitoring and final mixdowns of master tapes during recording sessions in the mid-1970s. The JBL 4350s were the highest-output monitors JBL produced at the time, with each speaker capable of a sustained output of over 125 decibels. The Who famously utilized multiple JBL speakers at Ramport Studios in Battersea, South London, to record and mix their landmark 1973 double album, Quadrophenia. The band established Ramport specifically to capture a powerful, "live" sound for the ambitious project, which was originally intended to be mixed in quadraphonic sound. Speaker Configuration at Ramport Studios The Setup: While the initial plan for the studio featured Lockwood speakers, these were replaced before opening with eight JBL 4320s to handle the high-volume requirements of the band. Quadraphonic Layout: Four of these monitors were placed at the front of the control room and four at the back to facilitate the quadraphonic mixing process. Power: These speakers were driven by high-output Crown DC300 amplifiers to achieve the desired "live" intensity. Studio History Location: Ramport Studios was located in a former church hall at 115 Thessaly Road in Battersea (not Twickenham). Ownership: The Who owned the studio through a company called Ramport, with all four band members serving as directors. Legacy: In addition to Quadrophenia, the studio was used to record other classic albums, including Supertramp’s Crime of the Century and Judas Priest’s Sin After Sin. It was later purchased by Virgin Records in 1983 and renamed Townhouse 3

Sale je ispitao, zujao je i kod njega. Napisao sam, premotao je, jezgro je opet zujalo. Pa je namotao skroz nov trafo. Na drugom monobloku, trafo je tih kao noć... Bude loša laminacija limova - ništa strašno, niko nije kriv, desi se...

Da zaključim za ovu godinu priču... nije bilo update-a odavno Elem, iako smo sve završili baš odavno, amp je pušten u rad, podešene mirne struje, itd, desilo se da jedan od trafoa zuji. Jbg, zuji trafo. Dešava se - loše laminirani limovi, loše namotano, svašta nešto... dešavalo se čak i u NP fabrici, pa ide to nazad na motanje, itd. Quick call sa Sale Trafomatic, dogovor je bio brz, šaljemo trafo a on će bez dodatne naknade da namota drugi - car! Premotao - zuji opet, pa je sve urađeno iz početka, novo jezgro novi namotaji. Fakat, zbog ogromne predNG gužve stigli smo tek sada na red - al ne mari - prijahalo jutros: Taman narednih dana relax laganica da se novogodišnje zameni trafo, pa konačan listen tests

Nzm dal' normalno da ovo slusam nekoliko puta tokom dana Svakog dana Bilo je vec na temi... Ne znam sta mi uradise stakleni zraci...

Dobro jutro Od kad ga nađoh neki dan, samo repeat Nzm dal mi draži on, basista, ili bubnjar(ka)

Svaka čast al ih nađe

Tako je, tako je original u La scala VladaC je bio prilagodio za 4ohm bass, a i meni se takav nasao pri ruci...

Pokojni VladaC bio je predložio skretnicu bez notch filtera, zobela etc. Ja sam samo to dodao na njegovo i malo manje atenuirao visokotonac, i stigao do ovoga: To je sve ideja od WLM La scala, nekada to bilo ne znam ni da li ima više ta firma, a kamoli zvučnici: 6moons audio reviews: WLM La Scala 6MOONS.COM Floorstander je 60 litri, a "bookshelf" mislim 25 litara. Kutijon sam ovako odradio:

Ima sve. Podseti me sutra da postavim. Sviraju još, u pauzi tokom raskupusavanja diy FR-ova