Mikorist

obratite paznju na kraj filma gde ih savladava grip

http://www.youtube.com/watch?v=nu99GRUUN6Yhttp://www.youtube.com/watch?v=3JYGqVA9xc4

Kina "Behringer City".http://www.youtube.com/watch?v=NqUGLUJF7y4http://www.youtube.com/watch?v=3LKnQl8gbkQ

mislio sam u principu na mix - bilo koje vrste muzike - zvuci nerealno na izlazu te nije za monitoring -odnosno za studio.a ima zapeta izmedju tehno i mix muzike

Zvuk je obican nista posebno u odnosu na ove starudije koje slusam. :Flying:Njima ne treba da dodam nista da reprodukuje najnize frekvencije. :nonono:Malo su bolji od ostalih Beringera koje sam imao za komp.Ako se poredi sa eltaxima i ostalim govanjcima koja isto toliko kostaju onda su bolji.Jos bolje ste prosli ako nadjete polovne kao nove :preved:Zavise puno od prostorije u kojoj se nalaze i od vrste muzike.Ako su test radili sa "ozbiljnom" muzikom - klasikom - gudaci, horovi - onda nije ni cudo sto su bolji od Oriona.Klasika i filmska muzika ubija kako se cuje. :good2:i Jazz je odlican - ali zato padaju na metalu, tehno, mix muzici - koju naprave boljom nego sto jeste i kolorisu zvuk.zato monitori svakako nisu - odnosno ko radi mixeve - komponuje ili pravi muziku kroz komp.vise vuce na hi-fi - odnosno ja ih trenutno koristim za video opciju - gledanje/slusanje filmova.

SMWTMS MEETING - MARCH 13, 2010 The Linkwitz Challenge draws a large crowd of 33, including Jim Hayward from Toronto and Robert Thompson from Seattle. Left to right in the 1st row Jim Snyder (red shirt), Steve Eberbach, Marshall Grimm, and Bob Klacza; in the second row Jim Hayward, Gary Shapira, Jim Tashjian, John Headapohl, Bruce Beyer, and Ron Burk, in the third row Gary Seguin, Kurt Lyons, Bob Bellair, Alan Paul, Josh Burton, John Budrys; and in the "balcony" Arny Krueger, Dan Field, and Tom Nousaine. The view from the "balcony" as Gary Eickmeier demonstrates his Image Model Projector to the the group and the attentive ears of Australian Shepherd "Aussy". Dave Clark reports the status of the Sigfried Linkwitz Challenge to the AES. To the right above the Eickmeier speakers hangs one of the Behringer Truth B2031A reference "box" speakers. Just barely visible behind the tripod is one of the Linkwitz Orion speakers, which later were positioned under the Behringers. Dave Clark shows James Johnston's illustration of the workings of the human ear to help suggest what might be most significant in the investigation of what factors are necessary or sufficient for local acoustics, such as a home listening room, to disappear, and the sound of the original concert hall be heard. David unveils the summary of the scoring in preliminary testing showing a tongue in cheek correlation to the alphabetized first names of the listeners. Bruce Beyer auditions the test set up, comparing the Behringers to the Orions behind the acoustically transparent curtain. http://home.provide....st/20100313.htm

ovo ?? http://www.mitrosmus...1P-CENA-ZA-PAR/ o ovim zvucnicima pricate ???!! pa ja imam ove zvucnike - drzim ih u dnevnoj sobi kao zvucnike za komp. focal/cabasse jedu ih na sve moguce nacine - kakav orion

STEVE JOBS AT HOME IN 1982 — “This was a very typical time. I was single. All you needed was a cup of tea, a light, and your stereo, you know, and that’s what I had.” —Steve Jobs prebacicu u IT forum temu.

http://www.youtube.com/watch?v=RHGGr3MySls

http://www.youtube.com/watch?v=r80u1zVP6Jk

nemoj da si tako pesimistican ... posle ce nama da prodaje TV

jacco vermeulen