paja959

no bre,imao sam A1,skidao mu poklopac vise puta posto je bio opravljan od strucnjaka pa mu menjali neke unutrasnje kablove na Kimber zice iz 4TC kabla oko potenciometra,koji je bio isto menjan na Alps blue..jedna tubica cca velicine malog prsta mi je bila dovoljna za vise puta,jos se i prelivalo,pa je to trebalo stalno brisati da lici na nesto nakon "operacija uspela,pacijent umro"

Clapton

ma bejase prvo jedno extra brzometno montiranje u lenkonju,cisto da vidim jel to ispravno prvo ,ljudi su danas spremni svasta da prodaju,al na svu srecu bejase sve ok,ociscen vrh igle sa Clearaudio 003,jel se videlo da je vrh igle musav,kad je sve to proslo,onda sam krenuo tek na krajnje montiranje falaVi

prihajalo,konacno,ponovo Shure V15 III..prvi primerak u SME M2-9,doduse bese LM varijanta sa laksim telom,sa JICO SAS profilom je imalo neko cudno ponasanje "mehanicki" tada na nekim LP-ima sa siroko moduliranim brazdama ili recimo kod upadanja u brazdu na pocetku ploce,pa je to otislo tada nizvodno..al bese u njoj neki specijalan smek,koji mi je ostao u nekom prijatnom secanju,cak i naspram V15 5 xMR JICO SAS sto ja redovito koristim,tako da se cekalo u zasedi ..malo tvrdji zvuk u odnosu na seriju V,gornji spektar nije tolko barsunast,rezultan,al serija III je veci smeker od serije V,barem meni sto se tice trovanja

https://www.analogplanet.com/content/legendary-turntable-manufacturer-garrard-acquired-equally-legendary-sme-limited

https://www.shure.co.uk/company/press/2018/phono-statement#__prclt=6mZ9r38o

Snétberger...

Lateef...

jes,manje osetljivo na fajn tjuning,ne brojis vise na zrna,nego na kasike istu stvar (so,crvena paprika itd.) ako si sluzi vojsku,jasno ti je na sta mislim,kutlaca tamo- vamo,pasulj je bio dobar uvek

3 odraslih se nakrkalo sa time jednom,+2 dobre porcije ostalo za drugi dan ..inace ne volem da pravim ovakve stvari na "sitno",traze jako precizan "fajn tjuning"

prva riblja u 2018..usput se to bas nije cinilo da ce biti nesto extra,al ispade ono,prvo,pa muskao..hebo sam macka ako trebao da drzim ovaj standard za 2018. 3/4 saran,1/4 som..od familije dobih najvise ocene za sklepano

to meni jasno ko dan,da se sa time ne sme zahebavati kod masine takvog kalibra,al daj lepo majstoru nek radi,svaki zanat ima svoj know-how..

nastavak..do dana danasnjeg nepravazidjen KC kod mene barem..bogati aranzmani,raznolikost instrumenata-instrumentalizacije,kombinacija toplo/hladno,tamno/svetlo,fino/grubo,ma sve sve sve sto treba za jedan esencijalni album

msm da ti je to pametnije dati majstoru da uradi pushti egzibicije,suster nek kuje cipele,doktor nek leci

King Crimson..

nije LP,malo je off u ovom topiku,al je cista lozana Summary: Recorded just over a year after Santana played its historic Woodstock Music & Art Fair performance, the band was fast becoming one of the biggest in the world. They were about to release their second album, Abraxas, and were riding high on the heels of three hit songs from their debut album and a new Top 10 hit, a cover of Fleetwood Mac's "Black Magic Woman." A year earlier - in fact only a few days before the Woodstock Festival - Bill Graham staged the first of several concerts billed as "The Fillmore at Tanglewood." Tanglewood is the summer home of the Boston Symphony Orchestra, and the storied venue had just begun to experiment with staging contemporary concerts on their grounds. Staging a rock concert in a classical venue had yet to be done, so of course the concept of doing so excited Graham. He brought the full-scale Fillmore East production team in, including the Joshua Light Show, and booked a great lineup. This first concert featured B.B King, Jefferson Airplane and The Who, and drew the largest crowd that Tanglewood had ever seen by far. Buoyed by the event's success, Tanglewood and Graham agreed to stage three similar dates in 1970. The last of these is this show, when Santana headlined after The Voices of East Harlem and the legendary Miles Davis had played (you can hear Mile's set here). This historic and beautifully recorded performance features a smoking performance by Santana in the last year of their classic lineup, before a young Neal Schon joined the band. We think you'll agree it's an incredible performance by a great band in their prime.

vidje tamo malo i onu stvar "Guajira" ..uz redovito davljene celog albuma,mandatorna stvar kod mene za testiranje celog sistema

Buddy Guy..

nikad vise,nijedan unipivot ne ulazi u kucu kod mene,ma sta bilo,ma cije bilo mda,omladina jos ima zivaca da se zeza sa takvim stvarima..stop and go opcije dolaze sa godinama

ovo : Paul Motian - drums, percussion Keith Jarrett - piano, flute Sam Brown - guitar Leroy Jenkins - violin Becky Friend - flute Charlie Haden - bass

sklepani stalci na brzaka za zvucnjake...e,sad vec lici na nesto