paja959

msm da ti je to pametnije dati majstoru da uradi pushti egzibicije,suster nek kuje cipele,doktor nek leci

King Crimson..

nije LP,malo je off u ovom topiku,al je cista lozana Summary: Recorded just over a year after Santana played its historic Woodstock Music & Art Fair performance, the band was fast becoming one of the biggest in the world. They were about to release their second album, Abraxas, and were riding high on the heels of three hit songs from their debut album and a new Top 10 hit, a cover of Fleetwood Mac's "Black Magic Woman." A year earlier - in fact only a few days before the Woodstock Festival - Bill Graham staged the first of several concerts billed as "The Fillmore at Tanglewood." Tanglewood is the summer home of the Boston Symphony Orchestra, and the storied venue had just begun to experiment with staging contemporary concerts on their grounds. Staging a rock concert in a classical venue had yet to be done, so of course the concept of doing so excited Graham. He brought the full-scale Fillmore East production team in, including the Joshua Light Show, and booked a great lineup. This first concert featured B.B King, Jefferson Airplane and The Who, and drew the largest crowd that Tanglewood had ever seen by far. Buoyed by the event's success, Tanglewood and Graham agreed to stage three similar dates in 1970. The last of these is this show, when Santana headlined after The Voices of East Harlem and the legendary Miles Davis had played (you can hear Mile's set here). This historic and beautifully recorded performance features a smoking performance by Santana in the last year of their classic lineup, before a young Neal Schon joined the band. We think you'll agree it's an incredible performance by a great band in their prime.

vidje tamo malo i onu stvar "Guajira" ..uz redovito davljene celog albuma,mandatorna stvar kod mene za testiranje celog sistema

Buddy Guy..

nikad vise,nijedan unipivot ne ulazi u kucu kod mene,ma sta bilo,ma cije bilo mda,omladina jos ima zivaca da se zeza sa takvim stvarima..stop and go opcije dolaze sa godinama

ovo : Paul Motian - drums, percussion Keith Jarrett - piano, flute Sam Brown - guitar Leroy Jenkins - violin Becky Friend - flute Charlie Haden - bass

sklepani stalci na brzaka za zvucnjake...e,sad vec lici na nesto

@Woland:kako ti se cine WaxTime izdanja (B.Evans) ?..mozda nemaju jedan raskos MOV/Speker Corner/Pure Pleasure izdanja,al sasvim je to korektno odnos kvalitet/cena

jel se ovo racuna?

ma sve spakovano ..saksije za cvece ce da odrade privremeno poso

Arcami,za rasterecenje glavnog sistema..slusanje Mp3,dvd i slicne gluposti

Xa,konacno se i ovo cudo udomilo,A&R Cambridge Arcam Alpha integralac,samo treba da ga pokupim od drugara,koji je predao oglas za njega posto oce da ga se resi, 3 sistema mu vala previse ,svojevremeno ga ja nagovarao da nadje jedan,posto sam se secao iz nekih mremorijskih jedinica da je pasje dobro svirao u sistemu Linn LP12/Ittok/Linn K5 (AT95?),Arcam Alpha,Heybrokk HB1..taman fino,za drugi planiranim sistem koji je bi trebao da radi za rasterecenje glavnog,da svira dzabalesku "ruski ducan" kupljene fajlove ..kapice za vrcenje,nesto najodvartnije sto sam dosad video u zivotu,pasta za zube,sampon zatvarac je space shuttle nasparm ovih sto se nalaze na njemu..sa phono karticom !

https://en.wikipedia.org/wiki/Wall_of_Sound_(Grateful_Dead)

(W)arranty (C)laim in singnature ..sto bi rekli naski,garancijski zapisnik/zahtev(radni nalog) koji ceka na potpisivanje/odobrenje... oce to tako

GLS bio tacan..ce da se slusa nakon posla

ha sputnjiksi

Burning Spear seansu privodim polako kraju,s leva na desno redosled..sve zarad partijskog zadatka usviravanja jedne Shure M97xE (ako se dobro sracunam,ovo mi je cetvrti primerak)

Velvet Undeground..

Out of our heads 2x...

kod mog peraca ima VPI 16.5 i 17,oba rade posao mnogo bolje,po meni no Okki..i ovu Tvoju bi trebalo prepraviti da se okrece,napred-nazad Clearaudio Smart Matrix Professional je navodno jako dobar..

vala gori ste sa ovim lapichkama,no ovi sto su na iglama (gramofonskim)

da malo uzburkam ubudjale vode kod analogicara :interesuje me jel se iko poigrao sa silikonskim uljem-kolicina/viskozitet istog kod gramofonskih rucica gde je to neka standardna opcija/ili alternativa ?..to bi trebalo menjati s vremena na vreme,a licno nikad nisam bio spreman staviti ruku u vatru za tu opciju ako je u upotrebi po svim parametrima kod SME III vs recimo ako je to deaktivizirano,ili recimo kao kod IIIS,gde ta varijanta ni ne postoji..sta grafikoni pokazuju je jedna stvar,a sta se od toga cuje,je rekao bih opet neka druga stvar